The Management of Design

Are You Ready to Enter this World ... of Design?

Designomics: from the Latin designare “mark out, devise,” and Greek nomos “managing.” 

The meaning of the word Designomics involves the management of design.

The question of how the universe came into existence, and how life appeared within it, has fascinated thinking people since the arrival of humans on earth.

 

The discussions on this website are profound, sometimes technical, but the basic message is simple: the concept of intentional precise order and arrangement involved in the gradual development of the earth, and life upon it, is everywhere around us. And its study is both fascinating and rewarding

Where this evidence ultimately leads ... is up to you! 

Did you know . . . ?

Grasshoppers have their ears in a unique place: on their abdomen, just below the wings. These are known as tympanal organs.

Intentional Order and Arrangement

Note the first three images displayed below. Which of them would you say does not manifest evidence of intentional order and arrangement?

(1) A Coded Message

The first image is a simplistic human figure using a basic pattern of 90 black and white squares. It was sent into deep space by a team of scientists in 1974. 

Along with some other shapes, it was intended to prove to would-be aliens potentially listening (or rather, watching) somewhere in deep space, that it was designed and transmitted by an intelligent race of beings, that it originated from an intelligent source.

Would you agree that this qualifies as intentional order and arrangement?

For more details, see the Arecibo page.

(2) A Primitive Crafted Device

This is a tool fashioned from a piece of flint, like many that have been unearthed at numerous dig sites around the world. 

Scientists at times send these artefacts to a museum as they present evidence that intelligent humans intentionally fashioned the stone for use as a tool!

But how would you rate the comparison of this construction to the design of the human tooth? Would you conclude that the crudely designed flint was the product of intentional and purposeful design, but that, by contrast, the human tooth is merely a result of trillions of contiguous undirected serendipitous events?

What do you think?

(3) A Metropolis: The Living Cell

This image is an artist's representation of the interior of a human cell. 

There are around 40 trillion of these (40,000,000,000,000) that make up the average-sized human body. And they all function cooperatively for the good of the entire body. 

[See the article The Cell — Nature's Own Metropolis.]

When you compare the expertise, preparation, design work, and ingenuity that went into the development by scientists of the impressive "Arecibo image" (the "Coded Message" in the first column) on the one hand, with the finished product of the complex cell as discussed above . . . what is your opinion? 

Would you agree that this also qualifies as intentional order and arrangement?

Which Is the Odd One Out?

Of the three items illustrated here, which would you say was the odd one out? 

How many of these items portrayed here clearly fits the category of "intentional precise order and arrangement"?

According to exponents of the theory of evolution, the item that is the odd one out happens to be by far the most complex — the human cell. . .

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But the cell is unique to evolutionists, not because of its impressive design features, functionality, and complexity, but because, in their opinion, it is the only item here that was not the product of intentional precise order and arrangement!

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Although the "scientific consensus" is often said to be that evolution is the preferred option . . .

What is your conclusion?

 

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Email: designomics at outlook  dot com
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